When the three-man staff of a boutique ad firm trades their Brooklyn home base for a rural backwater campsite, a classic “city slickers in peril” scare-film set-up is reborn. But in I CAN SEE YOU, Graham Reznick’s “surprising horror debut” (Village Voice), nothing is what it seems for even the blink of an eye. A relentlessly menacing psychedelic kaleidoscope of sound and vision brimming with enigmatic, hallucinatory dread and uncompromising violence.
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