Aesthetically the most extreme film ever made in the U.S.S.R., Pomegranates, his hallucinatory epic account of the life of the 18th Century Armenian national poet, Sayat Nova, conveys the glory of what a cinema of high art can be like. Conceived as an extraordinary complex series of painterly tableaux that recall Byzantine mosaics, the film is a dreamlike icon come-to-life of astonishing beauty and rigor. It evokes the poet's childhood and youth, his days as a troubadour at the court of King Heraclius II of Georgia, his retreat to a monastery and his old age and death.